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• Approximate 27 x 40 Inches - 69cm x 102cm Crush Spanish Style A Framed Poster

This funny and touching story centers on Kate a forty-year-old respectable and successful headmistress in a small English village who gets together with her single friends Molly a doctor and Janie a local police detective every Monday to drink eat chocolate and decide who is the Saddest of the Week. Things start to turn displeasing between the three friends when Kate begins an affair with Jed a sexy 25-year old ex-pupil and is no longer the Saddest of the Week!System ! Requirements: Running Time 122 MinFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396079021 Manufacturer No: 07902At first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebration if not admiration. The lighthearted comedy abruptly detours, however, to expose vicious jealousies with brutal, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to he! r senses. In one of the most inexplicable twists you're likely! to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade Gary Starke can get his hands on just about anything: floor level seats at a Knicks game, entrance to an exclusive art gallery or first-row concert tickets. But the one thing Gary can't seem to get is the girl of his dreams. Join OscarÂ(r) nominee* Andy Garcia and the lovely Andie MacDowellas they gamble against the odds in the game of love in this wonderfully funny romantic comedy. Longtime New York con man Gary (Garcia) is a king among scam artists but a loser in life. The only thing he has going for him is Linda (MacDowell), a stunning chef-in-the-making with a soft spot for underdogs. But even Linda isn't a sure thing when she's accepted into a Parisian cooking school,and decides it's time to leave the city and Gary!! Now this streetwise hustler must pull out all the stops and turn on all the charm if he ever hopes to win his way back into her heart!Gary Starke (Andy Garcia) is New York City's supreme scalper. Tickets for the Knicks, MOMA, the pope--you name it, he can get it. To mainstream society, however, Gary doesn't exist. He doesn't work 9 to 5, he doesn't have either a driver's license or a Social Security number, and he isn't even sure he was born in a hospital. Just the Ticket, Richard Wenk's wonderfully understated, well written and ultimately touching romantic comedy, is the story of how Gary finally finds identity. The movie's central premise has Gary trying to score big by scalping tickets for the pope's New York City appearance in order to win back his ex-girlfriend (Andie MacDowell). Both MacDowell and Garcia have been mired in career ruts, so their sexual chemistry is Just the Ticket's biggest surprise. Wenk knows and loves these characters (he based the pr! otagonist on a scalper he met 20 years ago, and he spent five ! more yea rs pitching the script to numerous studios), and that warmth provides an energy that's so often missing in many Hollywood romantic comedies. Also engaging (and at times heartbreaking) is Richard Bradford, who plays an aging runner who serves as Gary's father figure. MGM inexplicably dumped this picture in the dead of winter in 1999. The DVD--which features audio commentary by Garcia and Wenk, deleted scenes, and a four-page booklet about the making of the film--gives the film the second chance it deserves. --Dave McCoyAt first Crush seems to be merely the latest film to portray a clique of boozy, trash-talking women as part of a larger, liberated sisterhood worthy of celebration if not admiration. The lighthearted comedy abruptly detours, however, to expose vicious jealousies with brutal, unexpected consequences. A trio of single women in their 40s, Kate, Janine, and Molly (Andie MacDowell, Imelda Stanton, and Anna Chancellor) engage in a weekly ritual of gin, ! cigarettes, and joyous male sniping that despite its occasional glimpses of bare insecurity is all good "girl" fun. But when Kate, headmistress at the local school, takes up with a former student (Kenny Doughty) nearly 20 years younger and falls wildly in love, her closest friends, rather than embrace a true departure from social mores, plan instead to sabotage Kate's happiness and bring her to her senses. In one of the most inexplicable twists you're likely to see in a comedy, Janine and Molly's ploy takes an unexpectedly lethal turn, and Crush goes from amusing, if predictable, to downright nasty, and then back to end on a happy note. The effect is provocative, though perhaps unintended. --Fionn Meade This digital document is an article from Epoca, published by Difusora de Informacion Periodica, S.A. (DINPESA) on April 26, 1999. The length of the article is 739 words. The page length shown above is based on a typical 300-word page. The article is delivered i! n HTML format and is available in your Amazon.com Digital Lock! er immed iately after purchase. You can view it with any web browser.

Citation Details
Title: Como caído del cielo.(TT: Like fallen from the sky.)(Reseña)
Author: Pedro Crespo
Publication: Epoca (Magazine/Journal)
Date: April 26, 1999
Publisher: Difusora de Informacion Periodica, S.A. (DINPESA)
Page: 74(1)

Article Type: Reseña

Distributed by Thomson GaleApproximate 27 x 40 Inches - 69cm x 102cm Crush Spanish Style A

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