Tuesday, November 8, 2011

Great Lakes Select Honey, Clover, 32-Ounce Bottles (Pack of 3)

Festival in Cannes - Anouk Aimee - Movie Poster 27" X 40" (379)

  • Festival in Cannes
  • Anouk Aimee
  • Movie
  • Poster
  • Measures 27" X 40"
Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase f! or a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyScreenplay and film stills plus the original movie treatment. Filmed against the backdrop of the world famous Cannes International Film Festival, Henry Jaglom's "Festival in Cannes" is a story that plunges the audience deep into the heart of the funny, touching, sometimes glamourous, often duplicitous world of the haves and have-notes of the International Movie Business. FOR MORE INFORMATION, PLEASE VISIT: TheRainbowStore.comFilming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Milli! e (Anouk Aimée) is trying to decide between the lead in Alice! 's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as Millie's husband and Ron Silver as the producer behind the Hanks project. --Kathleen C. FennessyEach year, thousands flock to the Cannes Film Festival, wildly chasing fame, fortune and each other against the picturesque background of the French Riviera. Director Jaglom captures all the magic and mayhem as he follows an intriguing cast of characters - a beautiful movie icon (Anouk Aimée), her ex-husband (Maximilian Schell), an actress (Greta Scacchi) trying her first script, a high-powered producer (Ron Silver), an up-and-coming ingenue (Jenny Gabrielle), and a fast-talking entrepreneur (Zac! k Norman). How their lives and loves entangle make for an unforgettable journey through the very heart of the entertainment world.Filming on location in France during the 1999 Cannes Film Festival, Henry Jaglom goes behind the scenes to explore how movies get made (and unmade). He would know--he's been making them for decades now. In this one, he takes an Altman-meets-Cassavetes approach to his subject. While former actress Alice (Greta Scacchi), for instance, is trying to get her directorial debut off the ground, film icon Millie (Anouk Aimée) is trying to decide between the lead in Alice's indie and a (better-paying) cameo in the new Tom Hanks vehicle. As in The Player, Jaglom focuses on several characters and, as in many Cassavetes pictures, the dialogue feels improvised. If Festival in Cannes is less emotionally involving than 1997's Déjà Vu (arguably his best), it still provides a fine showcase for a talented cast, including Maximilian Schell as! Millie's husband and Ron Silver as the producer behind the Ha! nks proj ect. --Kathleen C. FennessyFESTIVAL IN CANNES Movie Poster. Starring: Anouk Aimée & Greta Scacchi. Written and Directed by: Henry Jaglom. 2002 Paramount Pictures. Measures 27" X 40"

The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree
A Few Good Men presents the reader with 10 positive role models from the Bible. From Obedient Noah to Loyal Onesiphorous, these character sketches combine dramatic story-telling with challenging and insightful comment.

What kind of man do you want to be? Who do you admire? Rugged sportsmen, smooth film stars and wild rock musicians all compete for our admiration. But are these men the role models that we should aspire to be?

Solidly founded on biblical narrative, these chapters will challenge and inspire readers to examine the struggles and tempations of these biblical men who face the same struggles that men still face today.A Few Good Men presents the reader with 10 positive role models from the Bible. From Obedient Noah t! o Loyal Onesiphorous, these character sketches combine dramatic story-telling with challenging and insightful comment.

What kind of man do you want to be? Who do you admire? Rugged sportsmen, smooth film stars and wild rock musicians all compete for our admiration. But are these men the role models that we should aspire to be?

Solidly founded on biblical narrative, these chapters will challenge and inspire readers to examine the struggles and tempations of these biblical men who face the same struggles that men still face today.

Corporal Eric Armstrong is finally going to meet his sexy new pen pal in the flesh. Only, Eric already knows her...very, very well!

Corporal Eddie Cash has a reputation for living on the edge. Still, even he's worried about his next adventure--fatherhood.

Lieutenant Matt Guerrero has always been proud to serve his country. Only, this time it might cost him his marriage....

Captain Brian Justice loves being a Marine! , almost as much as he's starting to love Angela Mitchell. Too! bad he' s about to lose them both....

Drama / 14m, 1f / Int. This Broadway hit about the trial of two Marines for complicity in the death of a fellow Marine at Guantanamo Bay sizzles on stage. The Navy lawyer, a callow young man more interested in softball games than the case, expects a plea bargain and a cover up of what really happened. Prodded by a female member of his defense team, the lawyer eventually makes a valiant effort to defend his clients and, in so doing, puts the military mentality and the Marine code of honor on trial. "Enormously entertaining."-N.Y. Daily News "Plenty of wise cracking humor and suspense."-Time Magazine "Fresh and adroitly updated and conditioned to our time and socio-political climate."-NY Post

In this personal memoir, electrical engineer David Lundstrom recalls the heyday of early computing - the rise of Control Data out of the Univac division of Sperry Rand, such milestone computer systems as th! e Univac and the Naval Tactical Data System the exploits of CDC's top designer Seymour Cray, and the gradual corporate shift from the exciting and technically interesting world of computer design to internal politics and clumsy bureaucracy.David E. Lundstrom's career spanned 30 years with Sperry Rand Corp. (now a division of Unisys Corp.) and Control Data Corporation.

Few English football clubs can boast such a varied history as Brighton & Hove Albion. From FA Cup Finalists in 1983 to being within half an hour of crashing out of the Football League altogether in 1997, their supporters have experienced enough highs and lows to fill a Hollywood screenplay â€" including the explosive sale of the Goldstone Ground for retail development before a replacement had been found. It’s been a memorable if frequently bumpy ride, one featuring a cast of top players including Peter Ward, Steve Foster, Mark! Lawrenson, Gary Stevens, Brian Horton, Frank Worthington, Jim! my Case, Bobby Zamora, Danny Wilson, Michael Robinson, Dean Saunders and Joe Corrigan.

In ‘A Few Good Men’, writer and supporter Spencer Vignes selects his all-time Brighton & Hove Albion ‘Dream Team’ from an array of potential candidates. The chosen XI give their own take on what it was like to play for the ‘Seagulls’ through the promotions, the relegations, the never-to-be forgotten 1983 FA Cup run, the decline of the nineties and the back-to-back Championships of 2001 and 2002. For supporters it’s an opportunity to relive the highs and the lows of the past four decades. For the players it’s a chance to speak honestly and openly about the time they spent at a club which, without exception, still occupies a special place in their heartsFew English football clubs can boast such a varied history as Brighton & Hove Albion. From FA Cup Finalists in 1983 to being within half an hour of crashing out of the Football League altogether in 1997, their supporters ha! ve experienced enough highs and lows to fill a Hollywood screenplay â€" including the explosive sale of the Goldstone Ground for retail development before a replacement had been found. It’s been a memorable if frequently bumpy ride, one featuring a cast of top players including Peter Ward, Steve Foster, Mark Lawrenson, Gary Stevens, Brian Horton, Frank Worthington, Jimmy Case, Bobby Zamora, Danny Wilson, Michael Robinson, Dean Saunders and Joe Corrigan.

In ‘A Few Good Men’, writer and supporter Spencer Vignes selects his all-time Brighton & Hove Albion ‘Dream Team’ from an array of potential candidates. The chosen XI give their own take on what it was like to play for the ‘Seagulls’ through the promotions, the relegations, the never-to-be forgotten 1983 FA Cup run, the decline of the nineties and the back-to-back Championships of 2001 and 2002. For supporters it’s an opportunity to relive the highs and the lows of the past four decades. For the player! s it’s a chance to speak honestly and openly about the time ! they spe nt at a club which, without exception, still occupies a special place in their heartsFrom the author of "Little House on the Freeway" comes "Basic Training For A Few Good Men," a well organized plan that will help you to lead, love, and serve courageously. God's men have been at war for thousands of years. Kimmel provides timely humor and meaningful encouragement to those who find themselves battle fatigued.The Inquiry of Ugra (Ugrapariprccha) is one of most influential Mahayana sutras, preserved and transmitted in both India and China over many centuries and actively quoted in treatises on the bodhisattva path. It is, nevertheless, one of the most neglected texts in Western treatments of Buddhism. The Ugra appears to be one of the earliest bodhisattva scriptures to come down to us, and as such it offers a particularly valuable window on the process by which the bodhisattva path came to be seen as a distinct vocational alternative within certain Indian ! Buddhist communities. A Few Good Men is a study and translation of the Ugra that will fundamentally alter previous perceptions of the way in which Mahayana was viewed and practiced by its earliest adherents.

To achieve a better understanding of the universe of ideas, activities, and institutional structures within which early self-proclaimed bodhisattvas lived, the author first considers the Ugra as a literary document, employing new methodological tools to examine the genre to which it belongs, the age of its extant versions, and their relationships to one another. She goes on to challenge the dominant notions that the Mahayana emerged as a "reform" of earlier Buddhism and offered lay people an "easier option." On the contrary, the picture that emerges is of the early Mahayana as a more difficult and demanding vocation, initially limited to a small contingent of monastic males.

Combining a detailed critical study and translati! on of an important Buddhist scripture with a sweeping reexami! nation o f the relationship between the Buddha and the practitioner of early Mahayana, A Few Good Men will be compelling reading for scholars and practitioners alike and others interested in the history of Indian Buddhism and the formation of Mahayana.Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastw! ood’s legendary “Man With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" a! nd stay alive â€" in a country ravaged by war.Review f! or A Fistful of Dollars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy i! s Clint Eastwood himself. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ! ruthless Civil War-era quest for $200,000 worth of buried Conf! ederate gold. Virtually all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

Hartstrings Girls 2-6X Little Pleated Plaid Skirt, Black Fancy, 5

Carlito's Way [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
Academy Award winner Al Pacino stars as an ex-druglord fighting to escape his violent, treacherous past in this action-filled tour de force from acclaimed director Brian De Palma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn), former drug kingpin Carlito Brigante (Pacino) stuns the local underworld by vowing to go straight. Dedicated to making a change, he reunites with his former girlfriend (Penelope Ann Miller) and rekindles their romance. But his dream of a legitimate life is undermined at every turn by ruthless former associates and even deadlier young thugs like Benny Blanco (John Leguizamo), who are out to make a name for themselves. Despite good intentions, Carlito's misguided loyalties and outmoded code of "honor" plunge him into a savage life-or! -death battle against the relentless forces that refuse to let him go in this powerful crime saga. Starring: Al Pacino, Sean Penn, Penelope Ann Miller, Luis Guzman, Viggo Mortensen, John Leguizamo, James Rebhorn, Joseph Siravo, Ingrid Rogers, Adrian Pasdar Directed by: Brian De PalmaFrom the director of Scarface comes the critically acclaimed crime thriller Carlito’s Way. Oscar® winner Al Pacino gives an electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his high-powered attorney (Academy Award® winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honor. In a life-or-death battle, Carlito takes on the relentless forces that refuse to let him go. Co-starring John Leguizamo and Luis Guzmán, Carlito’s Way is a powerful, action-packed ride all the way to its explosive conclusion.Al Pacino cuts a noble! figure in this very enjoyable drama by director Brian De Palm! a (Sc arface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognizable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not commercially successful and never rises to the level of greatness, it is a genuinely compelling movie graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh