Thursday, December 1, 2011

Garmin Forerunner 405CX GPS Sport Watch with Heart Rate Monitor (Blue)

  • Loaded with serious training features, Forerunner 405CX continuously records your time, distance, pace, calories burned and heart rate.
  • Advanced training features will challenge you to step up your pace and race against Forerunner's Virtual Partner.
  • Forerunner 405CX comes with a flexible, wireless heart rate monitor to help you make the most out of your training.
  • Share your locations, advanced workouts and courses wirelessly with other Forerunner 405 users.
  • Once you've logged the miles, innovative ANT+ wireless technology automatically transfers data to your computer when Forerunner is in range.

With more than 3 million copies sold, the #1 New York Times bestseller is now available in a special gift edition.

A modern classic, The Help has been a cultural touchstone for the millions of readers who have cheered on Skeeter, laughed ! with Minny, and hissed at Hilly. The noble and strong Aibileen has become a heroine for countless fans whose letters have poured in from all over the world. Now the bestselling and beloved book is available in a deluxe gift edition.

The Help has been on bestseller lists for longer than any other hardcover fiction title since The Da Vinci Code. It was USA Today's 2009 Book of the Year and has been published in thirty-seven countries around the world.

The movie The Help, produced by DreamWorks and 1492 Pictures, is scheduled for a major motion-picture release in August 2011.

This beautiful edition, destined to be passed down from generation to generation, is filled with special features, including:
-satin ribbon marker
-printed endpapers
-cloth bound
-two-color interior printing

This deluxe gift edition is the perfect gift for someone you love-or as a special treat for yourself.

The Forerunner ! 405CX is the evolution of GPS-enabled training. This sleek spo! rt watch tracks your distance, pace and heart rate, then wirelessly sends the data to your PC for later analysis. The 405CX features heart rate-based calorie computation and comes with a second wrist band option suitable for smaller wrists.

The evolution of GPS-enabled training.

Continuously records your time, distance, pace, calories burned and heart rate. Click to enlarge.

Transfer data to your computer when Forerunner is in range--no cables, no hookups. Click to enlarge.

Watch Results
Loaded with serious training features, Forerunner 405CX continuously records your time, distance, pace, calories burned and heart rate. Each workout is stored in memory so you can review and analyze the data to see how you've improved. And advanced training features will challenge you to step up your pace--race against Forerunner's Virtual Partner to improve your times, or set up interval workouts without having to circle the track. You can even download recorded courses to compete against previous workouts. To use the watch, simply tap the touch bezel to change screens without fumbling for a button.

Track Heart Rate
Forerunner 405CX comes with a flexible, wireless heart rate monitor to help you make the m! ost out of your training. The digital heart rate monitor conti! nuously tracks heart beats per minute and uses your heart rate for advanced calorie computation, so you know how many calories you're burning. Train in a certain heart rate zone to improve your fitness level or compare your pace and heart rate to past performance on the same run.

Share Workouts Wirelessly
With Forerunner 405CX, you can share your locations, advanced workouts and courses wirelessly with other Forerunner 405 users. Send your favorite workout to your friends to try, or compete against someone else's recorded course. Sharing data is easy: just select "transfer" to send your information to a nearby device.

Run, Sync, Store and Share
Once you've logged the miles, innovative ANT+ wireless technology automatically transfers data to your computer when Forerunner is in range. No cables, no hookups. The data's just there, ready for you to analyze, categorize and share through our online community, Garmin Connect or ou! r optional Garmin Training Center software. You can even plan workouts on your computer and then send them to your Forerunner.

Train Year Round
Take your training inside with the versatile Forerunner 405CX and optional wireless accessories. Pair it with an optional foot pod to track your speed, distance and running cadence indoors when GPS signals are unavailable. The wireless foot pod clips onto your laces for easy removal and automatically turns on when you start moving. Or pair your Forerunner with an optional speed/cadence bike sensor to track the speed and distance of your cycling workouts.

What's in the Box
Forerunner 405CX, USB ANT stick, Heart rate monitor, Two additional wrist straps, AC charger, Charging clip, Owner's manual on disk, Quick reference guide


Playskool Poppin' Park Eelefun Busy Ball Popper

  • Once The Balls Pop Out Of The Elephant's Trunk, It's Anybody's Guess Which Way They'll Roll - Into The Belly For Put-And-Take Play, Across The Room For Baby To Crawl After, Or Back Through The Trunk For More Poppin' Surprises.
  • With 10 Fun Tunes To Play And This Elephant's Trunk Controlling The Poppin' Direction, The Play Is Exciting, Engaging And, Most Of All, Fun!
  • With 10 fun tunes to play and this elephant's trunk controlling the poppin' direction, the play is exciting, engaging and, most of all, fun! Includes elephant, stability base, ear attachment, 5 balls and instructions.
  • Lively air-powered, ball-poppin? elephant features fun, upbeat music and comes complete with five balls!
  • Elephant figure plays 10 tunes! Start the action with easy push-button activation. Includes elephant, stability base, ear attachment, 5 balls and instructions.

This busy ball popp! er is re-imagined into an adorable elephant building off the character of Elefun. Baby will squeal with delight as the balls pop out of the Elephant trunk, onto the floor or through the ears and his belly. With a moveable trunk, mom can now control the level of chase-me play to grow with her child. It includes an easy-press activation button, ten songs and five balls.

  • Product Dimensions (inches): 6.4 (L) x 13.1 (W) x 18 (H)
  • Age: 9 months and up

Engage your baby in put-and-take play with the lively Playskool Elefun Busy Ball Popper. Designed for children 9 months and older, this elephant will delight young children with its upbeat music and engaging ball-popping action. Easy push-button activation allows your child to choose between 10 songs. The toy's baby-friendly design also encourages young children to reach, grab, and crawl.

Playskool Logo
Poppin Park
Elefun Busy Ball Popper
  • Ages: 9 months and up
  • Requires: Adult assembly; 4 D batteries; Phillips screwdriver
At a Glance:
  • Air-powered elephant pops balls out of its trunk
  • Toy engages children in put-and-take p! lay
  • Child can choose between 10 upbeat tunes
  • Includes five colorful, lightweight balls
  • Sturdy construction ideal for young children
Playskool Poppin Park Elefun Busy Ball Popper
Control the level of play with turning a trunk 360 degrees. View larger.
Playskool Poppin Park Elefun Busy Ball Popper
Helps develop hand/eye coordination. View larger.
Toy Encourages Coordination and Motor Skills

This toy helps your child practice hand-eye coordination and deve! lops fine motor skills through grabbing balls from the elephan! t's tumm y and dropping them in the elephant's ears. It also provides a fun way for children to learn cause and effect. When a child drops balls into the toy, the balls pop out in a different place.

Even babies will enjoy grabbing the colorful, lightweight balls from the elephant's tummy and watching them pop up through its trunk.

Lively Music Engages Children

This toy plays a variety of upbeat music for your child to enjoy. A large button on the elephant's hand makes it easy for your little one to switch between songs. One young tester loved the noise, but was startled by the popping balls.

The noise made by the toy--akin to a vacuum cleaner in a video arcade--may become tiresome to adults with extended play. Fortunately, children can engage in put-and-take play even when the toy is in the "off" position, but an adult will need to tip the elephant over to dislodge balls placed in its trunk. Even when the toy was turned on, our tester found that balls oc! casionally did not pop as they were supposed to and required adult intervention.

Sturdy Construction Ideal for Young Children

The sturdy design of the plastic elephant makes this an ideal toy for babies eager to practice sitting, crawling, and pulling up. Your child can sit and watch the elephant as it shoots balls from its trunk or crawl after the colorful balls. The toy is also stable enough that your child can use it to assist in pulling up.

The toy's movable, air-powered trunk can be positioned to pop balls towards one of the ears or across the room. An adult will need to move the trunk into place as it is too difficult for a child to manipulate. During assembly, the stabilizer and ears also required a large amount of force to click into place. That said, the setup was straightforward and quick, taking less than 10 minutes, and required just four D batteries (not included).

What's in the Box

Elefun Busy Ball Popper, five balls, fou! r D batteries, and instructions.

!
< br>

The Horse Whisperer

  • After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl s desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this, rugged, down-to-earth rancher (Redford), she discovers his extraordinary gift with animals also touches

#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.

The Horse Whisperer is a! story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear upon reading the touching tale.

One morning while teenage Grace Maclean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soot! hing words and a gentle touch. Just when it seems he can't be! found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act! as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES BESTSELLER

His name is Tom Booker. His voice can calm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.The Horse Whisperer is a story made in Hollywood heaven. The novel was written by a first-time author, and the film option was snapped up by aging heartthrob Robert Redford for 3 million smackers. Why take such risks on a brand-spanking-new author? The answer becomes clear up! on reading the touching tale.

One morning while teenage ! Grace Ma clean is riding Pilgrim, her goofy, loveable pony, she has a horrendous glass-shattering, bone-splintering, ligament-lynching meeting with a megaton truck that leaves her and her four-legged friend damaged in mind, body, and spirit. Meanwhile, back at the ranch, her jaded, brilliant, bitchy mom, Annie Graves (Kristin Scott Thomas in the 1998 film) is working out a wrinkle in her self-absorbed existence when she gets a call at her plush, Manhattan office about Grace's accident. Racked with guilt, Graves makes it her calling to find the mythical horse whisperer, an equine Zen master who has the ability to heal horses (and broken souls) with soothing words and a gentle touch. Just when it seems he can't be found, what do you know, she finds him. He arrives in the form of Tom Booker-- a rugged, sensitive, dreamy cowboy who helps Pilgrim and Grace repair their fractured selves. To add more mesquite to fire, Booker has a way with not-so-injured, attractive, married ! women--like Annie. As the plot thickens, so does the familial strife, which threatens to undo Booker's healing work.

Like an expert cinematographer, Evans deftly crafts each scene with precision and clarity, sprinkling in ominous signs and foreboding images. For example, in the opening paragraphs, as Annie starts out on the tragic ride, she comes across a bloody bird wing that seems to have fallen out of nowhere. The weight of impending doom is further strengthened by the truck driver's bad luck--he has a run-in with the highway patrol just moments before his meeting with Grace and Pilgrim. These not-so-subtle subliminal messages are masterfully stitched in throughout the story and may compel readers to act as if they were watching a B-grade horror movie, shouting aloud, "Don't go there!" However sentimental, The Horse Whisperer is an engaging read, sort of like a finely tuned, well-edited film. --Rebekah Warren#1 NEW YORK TIMES ! BESTSELLER

His name is Tom Booker. His voice can ca! lm wild horses, his touch can heal broken spirits. And Annie Graves has traveled across a continent to the Booker ranch in Montana, desperate to heal her injured daughter, the girl’s savage horse, and her own wounded heart. She comes for hope. She comes for her child. And beneath the wide Montana sky, she comes to him for what no one else can give her: a reason to believe.Academy Award(R)-winner Robert Redford (Best Director, 1980, ORDINARY PEOPLE) stars with Adademy Award(R)-nominee Kristin Scott Thomas (Best Actress, 1996, THE ENGLISH PATIENT) in this landmark epic adapated from one of the most acclaimed novels of our time! After a devastating riding accident, a young girl and her beloved horse are both left with serious physical and emotional scars. Determined to help, the girl's desperate mother (Thomas) puts her busy, big-city life on hold and travels west to seek out the "Horse Whisperer." When she meets this rugged, down-to-earth rancher (Redford), she discovers his extraor! dinary gift with animals also touches the lives of the people around him! Featuring Hollywood favorites Sam Neill (JURASSIC PARK) and Oscar(R)-winner Dianne Wiest (Best Supporting Actress, 1994, BULLETS OVER BROADWAY) in a superb cast -- critics and moviegoers alike were captivated by this powerful motion picture event!Although it's best viewed on a big theatrical screen to take full advantage of Robert Richardson's breathtaking widescreen cinematography, it seems likely that most people will see this classy romance in the comfort of their own homes. Adapted from the bestseller by Nicholas Evans and directed by Robert Redford, the film did respectable business at the box-office, but it was too sprawling and too soapy to be a bona fide hit. Redford stars as the title character, a Montana rancher named Tom Booker, who possesses the specialized talent of healing traumatized horses through careful and affectionate rehabilitation. He gets his most challenging case when he's soug! ht out by a fast-lane New York magazine editor (Kristin Scott ! Thomas, in a role modeled after former New Yorker editor Tina Brown) whose daughter (Scarlett Johansson) was injured and traumatized by an accident that nearly killed her favorite horse. When mother, daughter, and horse arrive at Booker's ranch, the big-city editor falls in love with the serene rancher and faces the painful decision of whether to stay in Montana or return to her husband (Sam Neill) in New York. Some may find this to be much ado about nothing, and comparisons to The Bridges of Madison County are inevitable, but Redford's directorial approach offers the kind of graceful stature, tenderness, and intelligence required to elevate the simple story. The film takes all the time it needs to let its characters heal and make their important decisions, and that alone makes it a refreshing alternative to the frantic pace of most big-studio productions. --Jeff Shannon

Wrath of Gods

  • Director's Cut, 72 minutes
  • 2 hours of bonus material
  • 1 hour exclusive interview with Gerard Butler
  • Additional and extended scenes & exclusive interviews with the people behind Beowulf & Grendel
  • Subtitles: Spanish, German, French, Icelandic, Polish + Version for the hearing impaired
This touching and humorous movie has earned the raves of critics and won the hearts of audiences everywhere! To spare the feelings of her fatherless boy, Lizzie (Emily Mortimer -- Disney's THE KID) secretly authors letters from his "father" that detail seafaring adventures from around the world. But she cannot maintain this illusion forever. Torn between exposing the truth and protecting her son, Lizzie gets more than anyone bargained for when she hires a handsome stranger (Gerald Butler -- THE PHANTOM OF THE OPERA, LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE) to play the role of a li! fetime! Winner at both the Heartland Film Festival and the Seattle International Film Festival, this entertaining motion picture is sure to touch your heart!Driven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizzie's repressed desires come ! to the fore with a man posing as her husband. The moral tangle! s are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghDriven by intelligent, constantly surprising and moving performances from the film's leads, Dear Frankie stars Emily Mortimer (Lovely and Amazing) as Lizzie, Scottish mother of Frankie (Jack McElhone), a deaf and highly intelligent 9-year-old. Constantly uprooting themselves and relocating from town to town, Lizzie and Frankie are on the run from the latter's abusive father, a fact unknown to the boy, who believes his dad is a busy seaman sending letters full of adventure and love. In fact, Lizzie is writing those missives, but she is faced with a challenge when Frankie discovers his father's ship will dock nearby. Lizzie hires a kind, handsome stranger (Gerard Butler) to play Frankie's dad, creating an odd situation in which ever-growing lies become a conduit for love, and Lizz! ie's repressed desires come to the fore with a man posing as her husband. The moral tangles are of interest in director Shona Auerbach's charmingly paced, quietly insightful drama-comedy, but so is the glorious feeling of watching these characters come fully alive. --Tom KeoghUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Short Film, Trailer(s), SYNOPSIS: The title character in this bowl of Scottish blarney is a sweet nine-year-old deaf boy (Jack McElhone) who lives a fugitive existence with his beautiful mother (Emily Mortimer) and his chain-smoking grandmother (Mary Riggans). The family is forced to move every few months to avoid being tracked down by Frankie's violent, abusive father. Th! e happiness of the boy, who is too young to remember the his f! ather re volves around bogus letters penned by his mother posing as his devoted but absent dad, supposedly a merchant seaman. When a ship that coincidentally has the same name as the one his mother invented docks, she hires an impersonator (Gerard Butler) to play his seafaring dad. Although sensitively acted, the movie is a fraudulent mawkish yarn riddled with plot holes and improbabilities. SCREENED/AWARDED AT: BAFTA Awards, European Film Awards, Montreal World Film Festival, ...Dear FrankieWinner of 6 international film festival awards, this entertaining documentary tells the dramatic story behind the making of the epic movie Beowulf & Grendel, starring Gerard Butler, Stellan Skarsgard, Sarah Polley and Ingvar Sigurdsson. When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler and Stellan Skarsgård, set upon Iceland to film Beowulf & Grendel in 2004, they expected the usual complications involved in making a major motion picture. What they encountered was a ruthless Icelandic winter on a foreboding landscape, financing complications and a bizarre run of bad luck that led some of them to believe they were in an epic battle with the Norse gods themselves. Filmmaker Jon Gustafsson was along for the ride. Hired to play one of Beowulf's warriors, he's one set with his camera as the crew battles hurricane force winds and he's in the backroom as the producers scramble to shore up a collapsing deal, creating an intimate portrait of filmmakers fighting the odds in pursuit of a vision. If you liked "Lost in la Mancha" or "Burden of Dreams" you will probably like this one. DVD Special Features: 2 hours of bonus features, 1 hour exclusive interview with Gerard Butler, exclusive interviews with producers of Beowulf & Grendel, additional & extended scenes, chapter selection, Subtitles: Spanish, German, French, Icelandic, Polish, English, version for the hearing impaired.

FusionBeauty LipFusion Infatuation Liquid Shine Multi-Action Lip Fattener, Full Frontal

  • Flawless application with the new Precision Brush
  • Available in 9 shades
  • Get Infatuated!
Academy Award(R)-winner Julia Roberts (Best Actress, ERIN BROCKOVICH, 2000), David Duchovny (THE X-FILES), and Blair Underwood (RULES OF ENGAGEMENT) star in another acclaimed triumph from Oscar(R)-winning director Steven Soderbergh (Best Director, TRAFFIC, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken, and passions are renewed! Also starring David Hyde Pierce (TV's FRASIER), Catherine Keener (BEING JOHN MALKOVICH), Mary McCormack (K-PAX), and Nicky Katt (INSOMNIA).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying de! grees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players playing themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali DavisJulia Roberts (Eat Pray Love), David Duchovny (TVs Californication) and Blair Underwood (TV's The ! Event) star in another acclaimed triumph from Academy Award®-winning director Steven Soderbergh (Traffic, 2001). It's a chaotic day for seven strangers from Hollywood who end up at the birthday party of a mutual friend. Before the night is over, relationships are tested, hearts are broken and passions are renewed. Also starring David Hyde Pierce (TV's Frasier) and Catherine Keener (The 40 Year Old Virgin).Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying degrees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players pl! aying themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali Davis
Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.
Valenti knows better than anyone that young women need a sma! rt-ass b ook that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today's young women have gone wrong. Feminism should be something young women feel comfortable with, something they can own. Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
IN 2008, as he attempted to enter Canada to film a television series, Harry Hamlinâ€"the former star of L.A. Law and once People magazine’s Sexiest Man Aliveâ€"was detained at the border for unresolved narcotics convictions. And so begins Full Frontal Nudity, a laugh-out-loud-funny memoir in which Harry digs deep into his past to recount the wacky experiences of his childhood, the twisted path that led to his alleged criminal behavior, and the series of fortuitous mishaps that drove him to become an actor.

Harry was reared in suburban California in the late 1950s by a! gin-gulping, pill-popping housewife mother and a rocket scientist father with a secret life. On its surface, his childhood was not unlike his peers’, except that he was kicked out of the fourth grade for writing a book report on Mein Kampf and, when he was eleven, his parents gave him a subscription to Playboy for Christmas. Curious by nature, chock-full of boyish charm and good looks, Harry experimented with mystical religion and set off for Woodstock, only to narrowly avoid lighting the whole of Yellowstone National Park on fire. At eighteen, he was ready to matriculate at Berkeley and become the architect he always wanted to be. But fateâ€"this time in the form of a large Hells Angel, a few purple microdots, and an evening in the tree houses of La Hondaâ€"got in the way.

Sharp and bawdy, Full Frontal Nudity spans the years from Harry’s childhood through his time at Berkeley (which he was asked to leave after he was accused of running a brothe! l), to Yale, then on an extended vacation in the YucatÁn, and! finally to the American Conservatory Theater, where Harry played his first lead roleâ€"as the buck-naked star of Equus.

Full Frontal Nudity is an uproarious memoir that captures an era and describes the unlikely origins of a star.Director Steven Soderbergh brings a playful spirit and a touch of genius to this oddly gentle Hollywood exposé. Full Frontal follows the lives of several people connected by varying degrees to the production of Rendez Vous, the film within the film that itself contains a film within a film. This layering and teasing of movie-industry standbys happens throughout: L.A. Law star Blair Underwood plays an actor who plays an actor who is a TV star who is making the jump to the big screen, major stars pop up as bit players playing themselves, and even the opening credits are a sly, dead-on parody of opening credits. The actors are clearly having a terrific time skewering movie insiders and, like any members of a family, ! are allowed to be both more affectionate and more vicious to each other than outsiders. Standouts in a uniformly marvelous ensemble cast include David Hyde Pierce as one of the screenwriters, and Nicky Katt as an actor doing a truly wretched Hitler. Full Frontal is beautifully written, beautifully performed, and brilliantly realized. --Ali Davis

Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.

Valenti knows better than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today! 's young women have gone wrong. Feminism should be something y! oung wom en feel comfortable with, something they can own. Full Frontal Feminism is sending out the message to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
Feminism isn't dead. It just isn't very cool anymore. Enter Full Frontal Feminism, a book that embodies the forward-looking messages that author Jessica Valenti propagates on her popular website, Feministing.com.

Covering a range of topics, including pop culture, health, reproductive rights, violence, education, relationships, and more, Valenti provides young women a primer on why feminism matters.

Valenti knows better than anyone that young women need a smart-ass book that deals with real-life issues in a style they can relate to. No rehashing the same old issues. No belaboring where today's young women have gone wrong. Feminism should be something young women feel comfortable with, something they can own. Full Frontal Feminism is sending out the messag! e to readers â€" yeah, you're feminists, and that's actually pretty frigging cool.
On the verge of turning 15; Georgia sets her sights on the new guy at school, ‘gorgeous sex-god’ Robbie, who plays bass for the Stiff Dylans. Unfortunately, Robbie happens to already be dating her evil archrival; blonde, perfect Lindsay. With her flamboyantly dressed cat Angus and her girl posse, the Ace Gang by her side, Georgia sets her mad schemes in motion to nab the boyfriend of her dreams and have the best birthday party ever.

Stills from Angus, Thongs, & Perfect Snogging (Click for larger image)

 










(Older woman, younger man BDSM Erotica) When Murray Training V.P. Celeste Phillips realizes she's drained every drop of excitement from her sex life with her own anti-sexual harassment trainings, she decides to visit a fantasy-fulfillment center for a nig! ht of anonymous sex. Finally she's living her lewdest, most politically incorrect dream--with a younger man, no less--and no one will ever know.Until "The Warden" from her fantasy shows up at her office...as her new coworker.Ryan Marshall is more than just a coworker, a fact he's sworn not to reveal. His unusual situation makes it even more difficult to gain Celeste's trust, but she seems to be staying as far away from him as possible anyway. However, Ryan knows her darkest secrets...her deepest desires...and he's more than willing to use his knowledge to lure Celeste back into his life.(Older woman, younger man BDSM Erotica) When Murray Training V.P. Celeste Phillips realizes she's drained every drop of excitement from her sex life with her own anti-sexual harassment trainings, she decides to visit a fantasy-fulfillment center for a night of anonymous sex. Finally she's living her lewdest, most politically incorrect dream--with a younger man, no less--and no one will ever ! know.Until "The Warden" from her fantasy shows up at her offic! e...as h er new coworker.Ryan Marshall is more than just a coworker, a fact he's sworn not to reveal. His unusual situation makes it even more difficult to gain Celeste's trust, but she seems to be staying as far away from him as possible anyway. However, Ryan knows her darkest secrets...her deepest desires...and he's more than willing to use his knowledge to lure Celeste back into his life.Become infatuated with your lips and discover the most revolutionary breakthrough in lip plumping technology! A new precision brush delivers flawless application and seamless color coverage.

Abandoned: A Thriller

  • ISBN13: 9780553591347
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
There are rules for dealing with ghosts. Too bad Ree Hutchins doesn't know them.

When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.

Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as The Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to restâ€"before she is locked away forever....

An ebook exclusive prequel to The Graveyard Queen series.There are rule! s for dealing with ghosts. Too bad Ree Hutchins doesn't know them.

When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.

Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as The Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to restâ€"before she is locked away forever....

An ebook exclusive prequel to The Graveyard Queen series.Little Boy Lost, Book Two

Jamie is gone.

Brian's secret has been revealed.

Brian McAllister's story continues as he tries to cope with the loss of his best friend and soul mate amid the alienation and ridicule of his classmates. When hatred turns to violence, Brian narrows h! is focus to two goals: surviving and finding Jamie. Along the ! way he m eets Adam, whose life has also been shattered by violence and cruelty. Can Adam fill the hole in Brian's life left by Jamie's absence? The answer will change everything.Little Boy Lost, Book Two

Jamie is gone.

Brian's secret has been revealed.

Brian McAllister's story continues as he tries to cope with the loss of his best friend and soul mate amid the alienation and ridicule of his classmates. When hatred turns to violence, Brian narrows his focus to two goals: surviving and finding Jamie. Along the way he meets Adam, whose life has also been shattered by violence and cruelty. Can Adam fill the hole in Brian's life left by Jamie's absence? The answer will change everything.Oswald Chambers was born in Scotland and spent much of his boyhood there. His ministry of teaching and preaching took him for a time to the United States and Japan. The last six years of his life were spent as principal of the Bible Training College in London, and as chaplain to Br! itish Commonwealth troops in Egypt during World War I. After his death, at age 43, the books that bear his name were compiled by his wife from her own verbatim shorthand notes of his talks.

On Christmas Eve in 1985, a hunter found a young boy's body along an icy corn field in Nebraska. The residents of Chester, Nebraska buried him as "Little Boy Blue," unclaimed and unidentified-- until a phone call from Ohio two years later led authorities to Eli Stutzman, the boy's father.

Eli Stutzman, the son of an Amish bishop, was by all appearances a dedicated farmer and family man in the country's strictest religious sect. But behind his quiet façade was a man involved with pornography, sadomasochism, and drugs. After the suspicious death of his pregnant wife, Stutzman took his preschool-age son, Danny, and hit the road on a sexual odyssey ending with his conviction for murder. But the mystery of Eli Stutzman and the fate of his son didn't end on the barren Nebraska plai! ns. It was just beginning. . .
As an unwanted pregnan! cy, born out wedlock, I was abandoned at birth. I was unaware of my lifetime search for something missingâ€"the emotional feelings of love. As an abandoned person you become very guarded, not allowing anyone into your life for fear of being abandoned again. My early beginnings re-enforced the abandonment issue over and over.

Much later in life an attractive, bright lady entered my life and became my masseuse. As a result of that relationship I began to have feelings totally foreign to meâ€"I developed feelings of love. Unfortunately she turned out to be a master con artist, prostitute, drug addict, alcoholic, and thief, eventually physically attacking me.

In spite of all the events which occurred, I was finally able to process mentally what I had gone through, helping me to better understand my life, and that my vulnerability had allowed those things to happen.

A friend sent me a note about forgiveness. She quoted Corrie Ten Boom, a holocaust surviv! or: “To forgive is to set the prisoner free and to realize that prisoner was me.”

In spite of the disastrous and costly events, I came out the winner.

My goal is to help others with abandonment issues to understand how they developed and what needs to be done in order to resolve those issues.
As an unwanted pregnancy, born out wedlock, I was abandoned at birth. I was unaware of my lifetime search for something missingâ€"the emotional feelings of love. As an abandoned person you become very guarded, not allowing anyone into your life for fear of being abandoned again. My early beginnings re-enforced the abandonment issue over and over.

Much later in life an attractive, bright lady entered my life and became my masseuse. As a result of that relationship I began to have feelings totally foreign to meâ€"I developed feelings of love. Unfortunately she turned out to be a master con artist, prostitute, drug addict, alcoholic, and thief, eventu! ally physically attacking me.

In spite of all the event! s which occurred, I was finally able to process mentally what I had gone through, helping me to better understand my life, and that my vulnerability had allowed those things to happen.

A friend sent me a note about forgiveness. She quoted Corrie Ten Boom, a holocaust survivor: “To forgive is to set the prisoner free and to realize that prisoner was me.”

In spite of the disastrous and costly events, I came out the winner.

My goal is to help others with abandonment issues to understand how they developed and what needs to be done in order to resolve those issues.

Abandoned junk to some, the rusty old steel shells of vehicles are treasures to others, holding memories of a bygone era, or the promise of a pristinely restored, radically customized automobile. Automotive photographer Will Shiers has captured these dreams on film for over ten years, and this volume collects his images between two covers for the first time. Here are the beautifu! l husks Shiers has found in the United States fields and barns, shops, and salvage yards across States. Divided into five categoriesâ€"General Motors, Ford, Chrysler, Independents, and Special Vehiclesâ€"these wrecks and relics from 1910 to the 1970s come equipped with all the relevant information: history, model, location. The most comprehensive and beautifully photographed collection of abandoned cars ever published, this volume preserves for all time the exquisite skeletons of American automotive might.

For FBI Special Agent Smoky Barrett, her colleague’s wedding is cause for celebration. Until a woman staggers down the aisleâ€"incoherent, wearing only a white nightgown. A fingerprint check determines that she’s been missing for nearly eight years. Her coldly efficient captor toyed with her mind and body, imprisoning her, depriving her of any contact with the outside world. As Smoky fits together the pieces of what remains of the victim’s fra! ctured life, a chilling picture emerges of a cerebral psychopa! th who d oesn’t take murder personally, never makes a mistake, follows his own sinister logic, and has set the perfect trap.
  Cody McFadyen on Abandoned

I build my books around the bad guy. I have from the first. I remember making a conscious decision to build my bad guys a little bit outside the box--the box being the firm reality we all know and agree to be.

Why?

Because it’s a lot more fun to write about serial killers that way.

Think about it. Hannibal Lecter is a lot more interesting than Son of Sam. Hannibal is brilliant, complex, unclassifiable. He kills with finesse and precision. Son of Sam was an unhinged lunatic, blowing people away at random. As a character, Hannibal is much more interesting to write about (and read). Because true serial killers aren’t super v! illains. They’re disturbed, sordid individuals, driven by hungers and needs that usually destroy them from the inside out. A lot of the time, they’re socially inept, and not very smart. Their depravity is most often senseless. Writing about what they do would be like writing about a great white shark: it eats because it is hungry and it has such big sharp teeth... you can’t sustain an entire novel on pure savagery. So I like for my bad guys to have a reason for what they do, some guiding purpose. Otherwise, all I’m doing is asking you to pull up a chair and watch the feast--and while something in our reptile brains might enjoy seeing a little bit of the feast, we shy away from the full truth of it.

So when I started thinking about Abandoned, the fourth book in my series, I started by thinking about my killer. I wanted to do something different, but what? The killers in the books earlier in the series had all been pretty "hungry;" in other words, t! hey were appetite driven. "So what," I thought, "about a kille! r with n o appetite at all?"

I actually rejected it at first, but the idea kept swimming back to the forefront. There was something terrifying about the idea of someone operating with such cold clarity. It was haunting me--which is always a good sign! I thought about it a lot and finally realized what (for me at least) makes such a killer so chilling: that kind of coldness relegates us to nothing, nothing at all.

The killer who is purposefully cruel, the killer who drools with excitement, still needs our humanity, at whatever level. There is a validation of our value as sentient, emotional beings, even if that only means they need our fear and our horror. It’s a terrible kind of "mattering," but still, we matter.

In the world of the killer I envisaged, we don’t matter at all. There’s no intentional cruelty, no enjoyment of our suffering, no acknowledgement of the value of our existence. He assigns his victims numbers, because it’s a more economi! cal use of oxygen than saying their names.

I saw him, he terrified me, and then I wrote him. He lies within the pages of Abandoned. It’s my hope he’ll terrify you as well.--Cody McFadyen



Purple TPU Flexible Case For Apple Iphone 4 4G

  • Lightweight, slimfit soft case that is tear resistant.
  • Molded to twist and bend but not stretch out of shape.
  • Protects your Iphone 4 from scratches, bumps, and dings.
  • Complete access to all functionality and buttons without removing iPhone from the case.
  • Eliminates antenna problem with iPhone 4
Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is serious. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized gui! tar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is managing--just barely--not to resent Jayne for the difference in their lives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Bark! in, Ocean's Thirteen, Sea of Love), so Jayne com! es back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
!

PRINCESS KAIULANI - DVD MoviePrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, when civil unrest unseated Hawaii's royal family and the Hawaiian people began a struggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q! 'orianka Kilcher), who was next in line for the Hawaiian thron! e, was e xiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her uncle, King Kalakaua (Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'! okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani. --Tami HoriuchiGermany released, Blu-Ray/Region B : it WILL NOT play on regular DVD player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canad! a: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby Di! gital 5. 1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Biographies, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new 'ladyfriend,' shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional family dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small child! ren, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and even a search for buried treasure in the backyard! Any tears that Jayne and Laura might shed will be happy ones. SCREENED/AWARDED AT: Berlin International Film Festival, ...Happy TearsThe domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Illustrated.CLASSIC CHASTISEMENT The domestic disciplinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a h! andsome widower, and his spoiled, haughty offspring. When Elea! nor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment.

The Devil and Daniel Johnston Poster B 27x40 Daniel Johnston Louis Black Bill Johnston

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Devil and Daniel Johnston Style B 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Daniel Johnston is a manic-depressive genius singer/songwriter/artist, revealed in this portrait of madness, creativity and love. The Devil and Daniel Johnston is a stunning portrait of a musical and artistic genius who nearly slipped away. Director Jeff Feurzeig exquisitely depicts a perfect example of brilliance and madness going hand in hand with subject Daniel Johnston. As an artist suffering from manic depression with delusions of grandeur, Daniel Johnston’s wild fluctuations, numerous downward spirals, and periodic respites are exposed in! this deeply moving documentary.This stunning collection of DANIEL JOHNSTON songs recorded by some of his biggest fans should prove to awaken the music world to just how special (and actually alive) he is - contributors include TEENAGE FANCLUB w/ JAD FAIR, EELS, TV ON THE RADIO, BRIGHT EYES, BECK, SPARKLEHORSE, FLAMING LIPS, TOM WAITS, CALVIN JOHNSTON, and more!Here we have a flawed but interesting introduction to the songs and recordings of one of the twentieth century’s great, maudlin pop musicians, Texas-based Daniel Johnston. This double CD has a pack of alt-rock superstars--among them Beck, Tom Waits, Vic Chesnutt, Bright Eyes and Calvin Johnson--tackling Johnston’s idiosyncratic and visionary songs, while the other disc has the originals, in the same order. With the exception of TV on the Radio’s Ubu-ish take on "Walking the Cow" and Waits' over the top version of "King Kong," there’s not much to say about the covers CD. Sincere indie-rock takes on Johnston's ! amazingly strong, emotionally intimate songs? How obvious and ! boring i s that? Why have the work of one vocally eccentric artist interpreted by a bunch of wimpy dudes? However, as a sampler of his work, disc two is exemplary, focusing primarily as it does on his '80s home recordings. If you look at this as a great mixtape that comes with some silly covers, you’ll enjoy it plenty. --Mike McGonigalThere's no other songwriter like this tortured Texan, whose sad stories and absurdly comic tales have won the hearts of bands like Nirvana and Sonic Youth. Here are Casper the Friendly Ghost; Walking the Cow; Peek a Boo; Man Obsessed; Living Life; I Had a Dream; Funeral Home; I'm Nervous , and more!He is erratic, moody, adolescent, and unsettling, just as he is strikingly brilliant, and all depictions entwine on this collection that plucks from Daniel Johnston's most memorable work throughout a quarter-century of bare-bones recording. While his helium-pitched voice can often border on acquired taste territory, Johnston, who suffers from bipola! r disorder, writes both gripping melodies and cutting, cunning lyrics--often about failed love, life's ambiguity and his passion for the Beatles and comic book heroes. Any Johnston follower might choose 21 different selections to represent such a catalog, but this package--culled mostly from his '80s songbook--is both symbolic and inclusive, including a pair of chord organ grinders that are among his most familiar: the childlike "Casper the Friendly Ghost" and the wistful "Speeding Motorcycle." Johnston's raw vulnerability shines most on "Never Before Never Again," on which he howls about a former girlfriend, and the fragmented and demented "Funeral Home," where he contemplates his last car ride (to the tune of Bruce Springsteen's "Cadillac Ranch"). Welcome to My World is ideal for any newcomers to Johnston's music, provided they are willing to peel away his torment and contemplate his true genius. --Scott HolterHephaestus Books represents a new publishing par! adigm, allowing disparate content sources to be curated into c! ohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Documentary films about mental illness.The Devil and Daniel Johnston reproduction poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, poster and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

An Affair Without End

Hottie & the Nottie

  • Nate Cooper (Joel David Moore) has been smitten with Cristabel Abbott (Paris Hilton) since he was six years old. But before he could try and snuggle up to her at nap time, his family moved away. Now, years later, he moves to Los Angeles to find his long lost love. The good news: Cristabel is still single and stunning. The bad news: Cristabel is still best friends with June Phigg (Christine Laki
A young man moves to L.A. to track down the woman he's been in love with since childhood, only to discover that his plan to woo her only has one hurdle to overcome: what to do with her ever-present, not-so-hot best friendCelebutante Paris Hilton takes on leading lady status in this fluffy comedy about the mysteries of love, and the importance of orthodontia. Nate Cooper (Joel David Moore) is an unfeeling commitment "challenged" lemon. His fed-up girlfriend runs out on him and he’s just about hit rock! bottom. Haunted by his childhood, he can’t seem to get over his kindergarten crush with the cutest girl at school, Christabel Abbot (Paris Hilton). Unable to move forward in love and life, Nate decides to track down Christabel, hoping to unlock the key to his future. As luck and movie magic would have it, Christabel has blossomed into LA’s hottest blonde who's miraculously single. Unavoidably however, there’s a catch: she’s still playing guardian to childhood best friend and physically cursed June Phigg (Christine Lakin) and has made a solemn vow of chastity until June has a boyfriend of her own. Considering June’s sad and highly exaggerated state of affairs (e.g. rotting teeth, whiskers, etc.), Nate is faced with a daunting task. As his hare-brained schemes to find June an appropriate suitor evolve, she begins to undergo an extreme inner and outer transformation. When her teeth are whitened and the moles and whiskers are removed to reveal a Hollywood actress-lik! e allure, Nate "suddenly" has an unobstructed view of her "in! ner beau ty" and in an epiphanic moment realizes that love and destiny are pretty confusing things. Lacking verisimilitude and plagued with gross-out jokes, spotty direction, and an underwritten script, much of the film plays out like Farrelly brothers' sloppy seconds. Nonetheless, there’s plenty of silliness, some good laughs, and a very willing cast who is more than up to playing along, most notably the talented Lakin and Moore. Hilton fans can rejoice in knowing that within the limited confines of the script, she aptly holds her own and when given the chance, has comedy potential. All in all The Hottie and the Nottie is a modest ultralight romantic comedy that though forgettable, is not without its charms. Neither a Hottie nor a Nottie, let’s just call this a Middle-of-the-Roadie. - Matt Wold