Wednesday, September 21, 2011

Dirt: The Complete First Season

  • Enter the secret and salacious world of show business through the back door. Lucy Spiller (Courteney Cox) makes the headlines as the woman Hollywood loves to hate in the darkly comedic drama DIRT. As editor-in-chief of Tinseltown's most influential magazines, Spiller can make or break the stars. Her obsession with the seamy side of the entertainment industry gives her power over every celebrit
Enter the secret and salacious world of show business through the back door. Lucy Spiller (Courteney Cox) makes the headlines as the woman Hollywood loves to hate in the darkly comedic drama Dirt. As editor-in-chief of Tinseltown’s most influential magazines, Spiller can make or break the stars. Her obsession with the seamy side of the entertainment industry gives her power over every celebrity in the biz, but leaves her helpless against her own demons. It’s "delirious, dizzy, decadent and alto! gether delicious," raves The Miami Herald. Dig deep with Dirt: The Complete First Season. Experience every sumptuous episode, plus exciting bonus features you can’t see anywhere else, in this 4-disc box set. It’s tempting television at its best.Hot-wired into the tabloid zeitgeist, Dirt is good, lurid fun. Courteney Cox, in a bold departure from Monica on Friends, stars as Lucy Spiller, editor of Dirt magazine. Relentless, high-strung Lucy is part Ben Bradlee and part Bonnie Fuller. She's a stickler for journalistic integrity with a basic instinct for the scandalous "get." "There's actual reporting in what we do," she rallies her reporters. "The only defense we have is the truth." Lucy is saddled with a clichéd personal life (abandonment issues, intimacy issues, blah, blah, blah). She is way more fun to watch at work when she's blackmailing celebs to deliver scoops by threatening to reveal their sexual peccadilloes, stun-gunning one-night-stands,! or betraying a loved one to score an exclusive, career-wrecki! ng cover story. Her go-to photographer and best friend is Don Konkey (Ian Hart, an uncanny John Lennon in Backbeat and The Hours and Times) a functioning schizophrenic prone to hallucinations, but who will do anything for Lucy, even sever his own finger to gain admittance to a hospital where an unblemished Christian pop star is being mysteriously kept under wraps. Konkey is the voice and heart of Dirt. His introductory episode recaps are a highlight ("No offense, but you should be up on this by now," he states in episode 7). Waiting in the wings on Lucy's staff is Willa (Alex Breckenridge), young, green, and hungry. She becomes a much more provocative presence as she joins the dark side as the season progresses.

Dirt could use sharper writing, but it's savvy enough when it comes to parsing Hollywood-speak. A celebrity's so-called "exhaustion" is translated by Lucy to mean "rehab or a psychotic break." Dirt drops A-list names (Clooney, Britney),! but for a series set in Hollywood, it's light on actual celebrities (director David Fincher and a self-deprecating Christopher Knight and Adrienne Curry appear as themselves). Instead, we get unconvincing fictional celebrities such as wash-out actor Holt McLaren (Josh Stewart), who gets his shot at superstardom by making the same kind of pact with Lucy that John Cassavetes made with the coven in Rosemary's Baby. Just one scoop begins a downward spiral for his sitcom-actress girlfriend (Laura Allen) and her best friend, an actress with an ill-timed pregnancy (Shannyn Sossamon). Also getting down and dirty are Rick Fox as a compromised basketball superstar, Wayne Brady as a cultured thug, and, in the season finale, Jennifer Aniston as Lucy's rival (and then some, although their much-hyped onscreen kiss is really much ado about nothing). An FX series, Dirt shovels on the network's envelope-pushing profane language and graphic sex scenes. It should clean up on DV! D. --Donald Liebenson

Koena Mitra Bollywood Canvas Art Canvas Print Picture print Size: (40" x 26")

  • Size:40" x 26" (100cm x 65 cm Approx)
  • Framed on a 40mm (4cm) Chunky Canvas Stretcher Frame
  • Lifetime Fade Resistant - Printed Using the Highest 12 Colour Canon Printers
  • Printed on the highest quality canvas with self tensioning frame wedges
  • Produced by the UK's largest supplier. Shipped to you with 48 - 72hours
Starring: AKSHAY KUMAR, AJAY DEVGAN, TUSSHAR, ESHA DEOL, LARA DUTTA, LAILA, KOENA MITRA, ARCHANA PURAN SINGH, SHARAD SAXENA, LAXMIKANT BERDE

Synopsis: A loner ex-cop driven by his need for vengeance, no one, nothing, is able to penetrate his shell. Not even the love of Meghna who hopes in vain that her love will make him forget his pain. As he drives his rickshaw through the streets of Bombay. Amjad still scours the thousands of faces on the streets looking for his brother Azhar who went missing years ago. Amjad tries in vain to hide his pain w! ith his love for Hina. But how do you dilute the pain of such a personal loss? Ambition brought Avinash Kapoor to Bombay, the same ambition that drew Indu; the ambition to become a film star. To find glamour, fame, success and wealth. Instead they found each other. Ajit Rathor. Avinash Kapoor, Amjad, Three different men with three different missions. Find now that their worlds are linked by a secret which will change them forever. Three men are going to find that the very qualities that made them human; Hate. Sorrow. Despair. Love. Pain. Ambition. Hope. Are going to make them cross the line struggle to remain human. To remain Insaan.....

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

The above product is a FRAMED CANVAS meaning it comes ready stretched on a canvas stretcher bar frame. All you need to do is take it out the box, hang it on your wall stand back and admire! We are a specialist Can! vas Printing company who now also manufacture and produce Pers! pex prin ted mounts. Over the last 6 years we have grown to become the UK's largest seller of Printed Canvas Art. This year alone we have already shipped out in the region of 168,000 canvas prints. We operate from a fully equipped 6000sqft art studio based in London (UK). All our canvas prints are printed on the highest quality canon canvas printing machines and are hand stretched by our professional 12 man stretching team. All items are made to order and nothing is bulk created and stored away. We have all our raw materials such as canvas, stretcher bars and packaging specially manufactured for us. We pride ourselves on the highest of quality and customer services. If you have any questions related to this product or any of our services feel free to contact the Canvas101 team. DON'T BE PUT OF ORDERING; if you're ordering from the USA or CANADA please don't be put of ordering just because we are on the other side of the country. We have teamed up with world leaders FEDEX and are now! able to get a parcel from the UK to the USA within 48-72 of you placing your order. We have also been known to ship good to the USA within 24 hours before. In order to make ordering as easy as we can we have also set up a US based telephone support number ( 16467701959 ) which is available from 8.00am - 6.00pm (GMT)

Art Museum by the Zoo Movie Poster (11 x 17 Inches - 28cm x 44cm) (1998) Korean Style A -(Eun-ha Shim)(Sung-jae Lee)(Sung-kee Ahn)(Seon-mi Song)(Seung-su Ryu)

Tuesday, September 20, 2011

Zoey 101 Poster Movie 27x40 Jamie Lynn Spears Paul Butcher Sean Flynn

Spartacus

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
SKIN WALKERS - DVD MovieFrom the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interes! ted in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spen! t time in the exploitation trenches during the past 25 years. ! Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD


More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall



Stills from Doomsday (Click for larger ! image)











No Description Available.
Genre: Television
Rating: NR
Release Date: 26-OCT-2004
Media Type: DVD

Woo-ri-jib-e wae-wass-ni Movie Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style A -(Eun-ji Jo)(Jae-won Moon)(Jung-Hee Moon)(Kwang-rok Oh)

  • Woo-ri-jib-e wae-wass-ni Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Korean Style A
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Collagen and gelatine are a fibrous protein with a broad range of industrial applications employed world-wide. Gelatin is obtained by the partial hydrolysis of collagen contained in the skin, connective tissue and bones generated as waste during animal slaughtering and processing. It improves the functional properties of food products and may also be used as anti-oxidative and antimicrobial peptide. Gelatin is widely used in many industrial ! fields, such as food, pharmacy and photography, and cosmetic materials. Other sources of gelatine and collagen are becoming increasingly relevant, such as fish bones and skins. This book presents current research in the study of the utilisation of collagen and gelatine extracted from skate skin.This digital document is an article from Journal of the Air & Waste Management Association, published by Thomson Gale on November 1, 2006. The length of the article is 4732 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Emission factors of air toxics from semiconductor manufacturing in Korea.
Author: Yun-Sung Eom
Publication: Journal of the Air & Waste Management Association (Magazine/Journ! al)
Date: November 1, 2006
Publ! isher: Thomson Gale
Volume: 56 Issue: 11 Page: 1518(7)

Distributed by Thomson GaleWoo-ri-jib-e wae-wass-ni Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style A reproduction poster print

CAST: Eun-ji Jo, Jae-won Moon, Jung-Hee Moon, Kwang-rok Oh;

Monday, September 19, 2011

O (Two-Disc Special Edition)

  • DVD Details: Actors: Mekhi Phifer, Julia Stiles, Josh Hartnett, Andrew Keegan, Rain Phoenix
  • Directors: Tim Blake Nelson
  • Format: Anamorphic, Closed-captioned, Color, DVD, Full Screen, Subtitled, Widescreen, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 1.85:1; Number of discs: 2; Studio: Lions Gate
  • DVD Release Date: February 19, 2002; Run Time: 95 minutes
Sara (Julia Stiles) wants to be a ballerina, but her dreams are cut short by the sudden death of her mother. She moves in with her father (Terry Kinney), who she has not seen for a long time, in Chicago, mainly in the ghetto. She gets transferred to a new school where she is the only white girl there. Her life takes a turn for the better when she is friends with Chenille (Kerry Washington). Later, she falls in love with Chenille's brother, Derek (Sean Patrick Thomas).Save the Last Dance! enjoyed a profitable release in early 2001, with box-office earnings that exceeded anyone's expectations. Its performance illustrates the staying power of a formulaic movie that avoids the pitfalls and clichés that would otherwise render it forgettable. Since there's nothing new here, you'll appreciate the original quirks in a character-based plot that's just around the corner from Flashdance, and just as familiar. Sara (Julia Stiles) gave up a promising ballet career when her mother was killed while rushing to attend her daughter's crucial audition to Juilliard; Sara blames herself for the accident, and at her new, mostly African American high school in Chicago, she's uncertain of her future.

Derek (Sean Patrick Thomas) has no such doubts; his own future is bright, and his attraction to Sara is immediate; they connect (predictably), and Sara's dormant funk emerges, with Derek's coaching, as she learns hip-hop dancing in a local club. Obligatory subplots are e! qually routine: Derek's sister (Kerry Washington) is a single ! mom stru ggling with her child's absentee father; Derek's best friend (Fredro Starr) feels trapped in his gangsta lifestyle; and Sara's once-estranged father (Terry Kinney) is doing his best to correct past mistakes. Within the confines of this standard follow-your-dream drama, director Thomas Carter capitalizes on a script that allows these characters to be real, intelligent, and thoughtful about their lives and their futures. It's obvious that Stiles's dancing was intercut with that of a professional double, but that illusion hardly matters when the rest of the movie's so earnestly positive and genuine. --Jeff Shannon Julia Stiles (MONA LISA SMILE) and Academy Award(R) winner Shirley MacLaine (1983 Best Actress, TERMS OF ENDEARMENT) star in CAROLINA, the endearing romantic comedy about a young woman (Stiles) trying to escape the eccentric ways of her wacky Southern family and meet the man of her dreams -- a nice, normal available guy. Finding him appears easier said than don! e until she meets a handsome and debonair Englishman. Will Carolina's dream turn into a nightmare when she introduces her perfect guy to her less-than-perfect family? And what will her best friend Albert have to say? As funny and charming as SWEET HOME ALABAMA, this Southern belle is sure to sweep you off your ever-loving feet.WHEN A PRE-MED STUDENT MEETS A HANDSOME PRINCE, SHE MUST DECIDE BETWEEN FOLLOWING HER HEART AND FOLLOWING HER DREAM.The classic girlhood fantasy of marrying a handsome prince is given a surprisingly realistic and subtle treatment in The Prince and Me. A pre-med student at the University of Wisconsin named Paige (Julia Stiles, 10 Things I Hate About You, Mona Lisa Smile) collides with a lazy, presumptuous exchange student named Eddie (Luke Mably, 28 Days Later) and, after a prickly beginning, falls in love with him--only to discover that Eddie is Edvard, the Crown Prince of Denmark. The scenario is pure wish-fulfillment, but! director Martha Coolidge (Valley Girl, Rambling Ros! e) n ot only takes a closer look at what royal life is really like, she also takes the time to turn these fantasy roles into characters that have more than two dimensions. It's still a romantic comedy aimed at teenagers, but within the genre's parameters, the movie has a strong visual style and what might be called depth. --Bret FetzerO - DELUXE EDITION - DVD MovieWhen you compare O to William Shakespeare's Othello, you'll realize just how well this modern adaptation really works. Shakespeare's tragedy transfers nicely to the film's contemporary private school setting, where Othello is now Odin (Mekhi Phifer), star of the basketball team and the school's only African American student. Desdemona is Desi (Julia Stiles), the dean's daughter and Odin's girlfriend, and Iago is Hugo (Josh Hartnett), the coach's steroid-shooting son, who jealously plants seeds of doubt that fester in Odin's mind, leading them all to a tragically violent fate. As directed by Tim Blak! e Nelson (who played the dimwit Delmar in O Brother, Where Art Thou?), this is a clever and serious interpretation of Shakespeare that, sadly, was shelved for two years when its distributor balked at potential comparisons to the Columbine massacre. Such fears were pointless; this well-acted film delivers an anti-violence message that younger viewers will readily appreciate. --Jeff Shannon

Mother [Blu-ray]

  • Mother is a devoted single parent to her simple-minded twenty-seven-year-old son, D0-joon. Often a source of anxiety to his mother, Do-joon behaves in foolish or simply dangerous ways. One night, while walking home drunk, he encounters a schoolgirl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused
Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This part! icular book is a collaboration focused on South Korean songwriters.Mother is a devoted single parent to her simple-minded twenty-seven-year-old son, Do-joon. Often a source of anxiety to his mother, Do-joon behaves in foolish or simply dangerous ways. One night, while walking home drunk, he encounters a schoolgirl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder. An inefficient lawyer and an apathetic police force result in a speedy conviction. His mother refuses to believe her beloved son is guilty and immediately undertakes her own investigation to find the girl's killer. In her obsessive quest to clear her son's name, Mother steps into a world of unimaginable chaos and shocking revelations.Just as South Korean director Bong Joon-ho's previous film, The Host, subverted the traditions of the giant monster movie to examine the effects of a crisis on a ! unique family, his latest effort, Mother, embraces the ! tropes o f the murder mystery for an unsettling and affecting story of parental love taken to its extreme. Popular South Korean television actress Kim Hye-ja gives a powerful performance as a downtrodden acupuncturist whose mentally challenged son (Korean A-lister Won Bin) is accused of murdering a local schoolgirl. Bullied into a confession by the local police (led by Yoon Je-moon of The Host), the young man faces incarceration at a mental hospital unless his mother can discover the killer's true identity. Her inquiry leads her into classic noir territory, with perceived truths blown apart at every turn; in typical Joon-ho fashion, these discoveries are marked by moments of shocking violence, dark slapstick humor, and moving familial drama, which come together in a genuinely unique perspective on the nature of truth and commitment. The official South Korean submission for Best Foreign Language Film at the 82nd Academy Awards, Mother is yet another entry on a growing li! st of exceptional motion pictures from one of the international scene's most intriguing filmmakers. --Paul Gaita